“That embodied experience of staged performances has sharpened my observational and analytical ability to see past the spectacle of performance, the glamour of the costumes, and the dazzle of the footlights.  This enables me to provide a unique analytical picture of the performance of these ensembles – viewed through a trained angle of observation, informed by the practice of performing (my emphasis)…” – Anthony Shay from the preface of Choreographic Politics: State Folk Dance Companies, Representation and Power
Yes! An academic (who is also a practitioner) who gets it!!!