Likewise, my analysis of the choreographic compositions will entail an unusual amount of intricate detail in an attempt to unfold, as concretely as possible, the stuff of choreographic problems, which might prove beneficial to readers unfamiliar with the practice of dance.
Bojana Cvejic, pages 3-4, from
Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance
(and maybe readers who are unfamiliar with dance should go see live performances first, BEFORE they start reading about it.)