Jam ~ Performance

A Jam is a situation in which all participants have equal access to movement, location, and observation.

A Performance is a situation in which participants have unequal access to movement, location, and observation.

Contemporary Contact Improvisation…or achieving the full potential

If, as some have stated contemporary dance is about the search for and exploration of potential, then contact improvisation in its nigh-omnipresent hetero-normative iterations is not contemporary as the hetero-normativity represents merely a third of the potential permutations of the duet based on biological sex.

Extending this thought to the duet in relation to number, the normativity of the duet in relation to the physical practice of the form is also a limitation of potential.  A dancer of CI, in order to make use of the full potential of the form, should be able to dance with anyone in the place of practice and not be limited to one person.

In order to achieve the full potential of the form, and thus bring CI into back into contemporality, practitioners of the form must move beyond the hegemony of the hetero-normative duet.

Tanznacht Berlin 2014 – a simple financial analysis

at 1.43 minute per €  „KELLERKINDER“ byTanzzeit Jugendcompany Evoke & Kadir Amigo Memis was the most expensive performance of Tanznacht Berlin.

at 10 minutes per € KRUMP „N“BREAK RELEASE“ by Shifts-Art in Movement was the best deal of Tanznacht Berlin.

(note: this does not take into account the reduced rate for tickets.  Maybe I should go back to school or get the Tanzcard)

Artist &Performance Cost in € Length in minutes minutes per €
JUAN GABRIEL HARCHA – „ANGELA LOIJ“ + „TULLE LABYRINTH“ 14 45 3.214285714
DRAGANA BULUT -“WHERE IS THE ZOMBIE?” EPISODE 2 14 70 5
SIEGMAR ZACHARIAS & ALICE CHAUCHAT “INVASIVE HOSPITALITY #4 9 60 6.666666667
TANZZEIT JUGENDCOMPANY EVOKE & KADIR AMIGO MEMIS „KELLERKINDER“ 14 20 1.428571429
SHIFTS – ART IN MOVEMENT / DAVID BRANDSTÄTTER/MALGVEN GERBES „KRUMP „N“BREAK RELEASE“ 5 50 10
NIELS `STORM’ ROBITZKY, RAPHAEL HILLEBRAND, LOUISE WAGNER  ”DIALOGIC MOVEMENT – FORUM FÜR ZEITGENÖSSISCHEN URBANEN TANZ” 14 90 6.428571429
EVA MEYER-KELLER & SYBILLE MÜLLER “KATASTROPHENKOMPOSITIONEN” 9 30 3.333333333
KENJI OUELLET „LE SACRE DU PRINTEMPS – A HAPTIC RITE“ 9 15 1.666666667
RICARDO DE PAULA „SHOOT FIRST“ 9 25 2.777777778
DEWEY DELL “CINQUANTA URLANTI QUARANTA RUGGENTI SESSANTA STRIDENTI” 5 10 2
MARTIN HANSEN “MONUMENTAL” 9 40 4.444444444
KAT VALASTUR “GLAND” – THE MARGINAL SCULPTURES OF NEWTOPIA (DIMENSION A & B 14 60 4.285714286
SHIFTS – ART IN MOVEMENT/DAVID BRANDSTÄTTER & MALGVEN GERBES „FESTINA LENTE – MAKE HASTE SLOWLY“ 14 60 4.285714286
BEGÜM ERCIYAS „HYPNOSIS“ 14 70 5
CHRISTOPH WINKLER „DAS WAHRE GESICHT – DANCE IS NOT ENOUGH“ 14 70 5
TIAN ROTTEVEEL „HARDCORE“ 9 30 3.333333333
FRÉDÉRIC GIES „SEVEN THIRTY IN TIGHTS“ 14 70 5
SERGIU MATIS „FAKE – THE REAL DEAL“ 14 120 8.571428571
ANGELA SCHUBOT & JARED GRADINGER “SOON YOU ARE THEIRS” 9 25 2.777777778
ALEXANDRE ACHOUR „THIS ISN´T GONNA END WELL“ 14 70 5
JOCHEN ROLLER & MONICA ANTEZANA „DER CARPENTER-EFFEKT“ 14 65 4.642857143
Averages 11.47619048 52.14285714 4.517006803
Mode or most common value 14 70 5

Creative

 

 

 

 

c r e a t i v e r e a c t i o n c r e a t e d r e a c t i n g

r e a c t i v e c r e a t i o n r e a c t e d c r e a t i n g

 

 

 

 

 

 

 

Contemporizing JFK

And so, uh, my fellow Americans: like, ask not what your country can do, um, for you—ask what you can do for, for, for your country. My fellow citizens of the world: ask not what America, like, you know, will do for you, but what together we can do, uh, for the freedom of man, you know what I mean. Finally, like, like, whether you are citizens of, you know, America or, like, citizens of the world, ask, um, of us the same high standards of, uh, um, you know, strength and sacrifice which we ask of you, yeah. So, with a good conscience our only sure reward, you know, with history the final judge of our, uh, deeds, let us, like, go forth to lead the land we love, you know, asking, uh, His blessing and, um, His help, but, like, knowing that here on earth, like, you know, God’s work must truly be our own.

Throw in the Towel

When I finally decided to give up religion, I threw in the cowl.

When I finally decided to give up frowning, I threw in the scowl.

When I finally decided to give up spelling, I threw in the vowel.

When I finally decided to give up poetry, I threw in the Howl.

When I finally decided to give up carpentry, I threw in the dowel.

When I finally decided to give up gardening, I threw in the trowel.

Another Definition of CI

Contact Improvisation is the simultaneous exploration of, experimentation with, and execution of physical and perceptual attention to the location, duration, and operation of one or more touching or potentially touching surfaces between two or more bodies.

Togetherness: reset the song

Togetherness: reset the song

What exactly is togetherness?  To unpack this term and open up several ways to understand it, I offer several readings of the word using de/re-constructive etymology.  I am not talking about going back to the Greek, or the Latin, but taking just what we have when we look at the English word togetherness.  I mean, why do people always talk about the Greek roots of words?  Did words not exist before the Greeks?  Where did they get their words?  Why don’t we ask that and go even further back than the Greeks?

But I digress.

The first two letters are T and O.  This spells “to”.  According to Merriam Webster to is a preposition that indicates “the direction of something”, as in “You are going to Hell!”  The word “to” can also indicate addition, attachment, connection, belonging, possession, accompaniment, or response to something.  Last, but not least, to can indicate the infinitive form of a verb.

The third, fourth, and fifth letters of togetherness are G, E, and T.  Get, again according the Merriam Webster dictionary, means “to gain possession of” or “obtain by entreaty or permission”.  What did you get for Christmas?  As the years go by you will get old and get really wrinkly if you keep smoking.  Get can also mean “understand”. The definitions of to and get could be combined to mean “in the direction of gaining possession of or obtaining by entreaty understanding of or a state of being” or simply “to understand”, as in, “I get the joke.”

The letters 6 through 8 of togetherness are H, E, and R, respectively.  Her is the feminine third person singular pronoun indicating ownership.  As in, “I am her bitch.”  Pretty straight forward.

The last four letters, N, E, S, and S, when combined in that order spell ness.  Ness, according to the dictionary in the version of Microsoft Office I am currently using, is “a section of coastline that projects into the sea”.  Why a man named his company using two words 99.999% of men don’t want to hear and became the richest man in the world is still a mystery.

But I digress.

Combining, then, the four definitions of the parts of the word togetherness, we get the definition in the direction of gaining possession of or obtaining by entreaty understanding of or a state of being of a woman’s section of coastline that projects into the sea.

Who exactly this woman is I cannot say.  But from the definition I would postulate that she has beachfront property.  Whether this property is a white sand beach in Jamaica, or a rocky pebble beach somewhere near Big Sur on the California coast, or a raging section of waterfront down in the Tierra del Fuego, I cannot say.  But what I can say is that she must be wealthy.  She doesn’t have just beachfront property, but a section of coastline.  And from the times I have been to the Hamptons and hung out with old money in Martha’s Vineyard, I have seen some nice spreads, but no one talks about having a section of coastline.  That is some serious dough.

But I digress.

The meaning of in the direction of gaining has some interesting connotations.  Does it indicate that in the state of togetherness one is merely in the direction of gaining possession of or obtaining by entreaty understanding of or a state of being of her section of coastline that projects into the sea, and will never actually reach the ness?  Does this mean, then, that actual togetherness is impossible?  That it is a continual striving for an unobtainable goal, that no matter how much I try, I will never reach it?

Does this gaining refer to understanding or conceptually receiving something from the coastline, as in I finally made it to her coastline, her damp, writhing, fecund coastline and was so moved by it that it projected into my blood, my heart, my soul, that I groked it?  That in essence, I became the sea that her coastline thrust into?

Or are we talking about mere real estate?  That by entreaty, by fair means or (if those didn’t work) by foul, by marriage or by war, I took possession of her section of coastline that stands valiantly against the dark angry seas, a bulwark upon which the innocent Andromeda was lashed to by her father King Cepheus, King of Aethiopia, in order to save his people from the Olympian wroth of Poseidon.  Clearly we have a case of female collateral damage – two men using women as pawns in their struggle for domination.

But I digress.

Continuing, though, in this vein of gender, I wish to draw your attention to the third and fourth words within togetherness, her and ness.  Combining them we get herness.  –ness is a suffix and, as we all know, means the state, condition, or quality of.  Therefore herness is the state, condition, or quality of being her.  Her is not only the feminine third person singular pronoun indicating ownership, but also the feminine third person singular pronoun used to indicate the reception of action, whether directly, as in “Gonna smack her with a lead pipe/ Gonna smack her with a 2×4” (The Dead Milkmen) or indirectly, as in I gave her a diamond ring and a fur coat as way to ask for forgiveness for my terrible wretched behavior in the previous example.

The appropriateness of the examples aside, to get herness…hmm… in the direction of gaining possession of herness.

Does to get herness mean in the direction of gaining possession of femininity?  What level of herness are we talking about, the superficial layers of vestments? Whenever I put on my wife’s clothes I feel that I am merely in the direction of herness.  I am about 500 miles off from being anywhere close to being mistaken for a her.  Or are we talking about the whole enchilada, the whole kit and caboodle?  Chop chop snip snip, oh what a relief it is!  Did you know that Thailand and Iran are the #1 and #2 countries for most sexual reassignment surgeries in the world?

But I digress.

We could be talking about an individual who is already female biologically, but who nevertheless feels inadequate in the role of woman due to societal and cultural pressures.  Through a variety of methods whether sartorially and/or surgically, she tries to develop a heightened level of femininity?  Or are we talking about an individual who goes in the direction of gaining possession of femininity by becoming the ultimate nurturer and caregiver.  Is Angelina Jolie trying to gain femininity by adopting so many kids?  Was Oprah, whilst she had her talk show, trying to gain femininity by providing all of her audience members with free food, books, sweaters, and VW Beetles?

Thusly, in a partial conclusionary summation, we have two readings of the word togetherness – to get her ness and to get herness – each with multiple connotations.  I haven’t even gotten to the vowel replacement processes.  Using a simple a for e process we get the terms to get harness and to gather ness.  While the former evokes thoughts of Japanese rope binding, rock climbing, and animal husbandry, the latter brings to mind territorial wars and relates to to get her ness.  But I will not go into those readings now.

I must egress.